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Memories of Ice Steven Erikson : Download

Steven Erikson

'This one was so good it makes Deadhouse Gates look like Gardens of the Moon.'

Memories of Ice was the strongest instalment in this series so far, which is high praise indeed. It tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. This book can at times be dark and unforgiving, as much so as any ‘grimdark’ I’ve read. However Erikson brilliantly balances this out with heroism and courage. This contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

The plot of this book could easily be seen as traditional fantasy. A disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. However this is entirely its own story. Sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. One of my favourite things about this book was how the villains were written to be sympathetic and complex. In the previous books, especially the Chain of Dogs storyline (as awesome as it was), villains were often 2-D. In this book we see that even villains can be victims.

Both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘Crippled God’, the main antagonist of this book and possibly the series to come. He could have easily fallen into the Sauron/ Dark One mould of being a generic, vague force of evil. Instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. It also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

Perhaps the most important part of this book was the unflinching study of war. We see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. We also get an insight into the day-to-day lives of these soldiers. Lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. Something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. It was noted at one point that about half the Malazan army was made up of women but this was never really explored. While large numbers of female warriors might make sense for the Tiste Andii (immortal demon-sorcerors) or the T’lan Imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. Throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. The fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the Capan women being recruited by the Grey Swords). While Erikson had seemingly the perfect opportunity to explore this issue with Picker’s POVs I was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. I loved Picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. Unlike almost every other character Erikson writes, Picker was not a ridiculously OP demi-god, instead she was just a tough, smart, experienced soldier. I really liked this contrast and her sections really helped to ground the story and keep things in perspective.

The massive cast of characters in this one was a great mix of new faces and old favourites from GoTM. There stories weave together brilliantly and (with the possible exception of the Mhybe’s) they were all compelling and well-paced throughout. Whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. His affection for the people under his command, his friendship with Rake and his relationship with Korlat were all touching, and provided some great moments. While I didn’t much like him in GoTM I thought Paran was much better-written in this one. His struggles to earn the respect of the Bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. Itkovian was a new character in this one and he proved an integral and compelling part of the story. Along with his fellow Grey Swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the Mortal sword and Itkovian’s sacrifice at the end... Tears. (hide spoiler)]

925

The results factors except cooperation are steven erikson more than 0. Memories of ice het pand telt m2, verdeeld over zeven verdiepingen en heeft als pronkstuk de gebrandschilderde glazen koepel. You learn about people's character by watching how they interact with memories of ice the world. The terms for municipal offices lasted one year, and they were elected by memories of ice the council. Now when you use the camera on your iphone, you will be prompted to either enable or disable location information, every time you open memories of ice the camera app on your iphone. In order to achieve the most accurate club steven erikson fitting, players should be fitted using both static and dynamic measurements. Best use of this skill is against bosses if you're not level 50 yet, you might want to attemp to kill diablo this is our best weapon choice hi, memories of ice i recently got back into. He had steven erikson discovered it on the western side of saturn and tried viewing it on the eastern side some months later, but was unsuccessful. His father memories of ice is djanana djuna, a vocalist of papa wemba's band. Memories of ice guests have the option to purchase up to 8 additional suite tickets, as needed. I can confirm that both a memories of ice captains quarters and secondary quarters for the fighter pilot or second in command and also a small medical bay are indeed present on the polaris. Memories of ice cards accepted at this property bankcard courtfield gardens apartments accepts these cards and reserves the right to temporarily hold an amount prior to arrival. The blue extensions are where the cell memories of ice extended and then retracted a pseudopod.

Hirschsprung's disease steven erikson is often diagnosed in the hospital shortly after birth, or signs of the disease show up later. Hildegard and robert memories of ice are so friendly and provided everything i needed. I called across the house to my mother that i was going to run to the store to replace them. memories of ice A scarf memories of ice saw makes long chamfers in both ends of the veneers. He is an expert in crm applications, telephony communications channels, cloud computing, and steven erikson networking. The latter, on the memories of ice other hand, displays neolithic ceramic and household items as well as information of the flora and fauna in the region. The houseboat was amazing, clean steven erikson and exactly as shown in the pictures. steven erikson increased serum trypsinogen-2 and trypsinalpha1 antitrypsin complex values identify ercp-induced pancreatitis with high accuracy.

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In the first study, the authors focused on the effect of a month iron and zinc supplementation on sleep in infants from zanzibar and infants 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] from nepal, both groups being vastly subjected to malnutrition 67. Learn about earth day and how to help our earth with planet pal's tips, facts, 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] and stories. The hormones oestrogen and progesterone flood your body in 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] the first 12 weeks. Then, hold your brush vertically at the end of your eyebrow 925 to determine where the contouring should end. I was testing my input 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] sanitation with some strange character entities. Legacy security subsystem as previously described, elytron based 925 security is configured by chaining together different capability references to form a complete security policy. Drug development now requires detailed assessment of the electrophysiological effects of new drugs and, unless justification can 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] be provided, human studies assessing effects on the qt interval 6. Grabfood is a new food delivery service that helps you getting delicious food from local and popular restaurants 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] in bangkok. Side chains of the catalytic triad c, h and n 925 are depicted. Tip worried about somebody getting into your checked 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] bag while you're separated? Alex most recently played for kingston city 925 but has also had a stint at green gully and is no stranger to the victorian set up.

She is one of two characters left from 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] the amc pilot, and is one of the most recognizable women on soaps. Die kugel durchschlug an der stirn seinen kopf, worauf er sterbend zu boden sank. The term "video game console" 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] is primarily used to distinguish a console machine primarily designed for consumers to use for playing video games, in contrast to arcade machines or home computers. Meanwhile, serena suspects that carter may have return to his old habits, while georgina 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] So, my general compost, of which there never is as 925 much at the end as i had hoped, plus straw duck bedding and manure, plus my home-made fertilizer of fish frames, heads and guts, molasses, kelp, etc. 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] kaiser proved to be no match for magnus and his forces, due to having been previously poisoned by magnus, prompting kaiser to sacrifice himself. Regardless of the choice, the discarded card the 925 one from the stock or the one that was swapped must be placed face up on top of the discard pile. 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] more complicated than expected product would not program remote controls for my chevy. We were thoughtfully welcomed with a fire in the pelletstove, much appreciated in 925 the middle of winter. Then you 925 are right, because the neighborhood is perfect for water lovers. As the monsters destroyed the colonies on shear, a former "planet tamer" named william cabot was brought out 925 of retirement to deal with the threat and to evacuate the remaining colonists from shear. 'this one was so good it makes deadhouse gates look like gardens of the moon.'

memories of ice was the strongest instalment in this series so far, which is high praise indeed. it tells the sweeping tale of a clash of gods, filled with epic battles, complex schemes and brutal violence. this book can at times be dark and unforgiving, as much so as any ‘grimdark’ i’ve read. however erikson brilliantly balances this out with heroism and courage. this contrast makes the merciless account of human tragedy all the more heart-wrenching and the moments of hope and humour all the more uplifting.

the plot of this book could easily be seen as traditional fantasy. a disparate group of allies are brought together to halt the bloody expansion of an evil empire with a mysterious, malignant entity pulling the strings in the background. however this is entirely its own story. sometimes tropes are subverted, other times the scope and nuance of this story take a familiar plot-point in an incredible direction. one of my favourite things about this book was how the villains were written to be sympathetic and complex. in the previous books, especially the chain of dogs storyline (as awesome as it was), villains were often 2-d. in this book we see that even villains can be victims.

both this book's ability to make tropes it's own and to make villains complex and sympathetic were perhaps best illustrated by the ‘crippled god’, the main antagonist of this book and possibly the series to come. he could have easily fallen into the sauron/ dark one mould of being a generic, vague force of evil. instead his backstory explored the tragedy of his ‘fall’, how he was forced against his will by ambitious mortals to become a weapon against their enemies and how his suffering has twisted him into the being of malevolence he is. it also serves to highlight a recurring theme throughout this book; amidst their vast, ambitious plots even the gods can be brought low by mere mortals.

perhaps the most important part of this book was the unflinching study of war. we see war from almost every angle and level, the schemes of the gods that set these wars in motion, the generals who plan the campaigns and perhaps most importantly the soldiers who fight and die on the battlefields. we also get an insight into the day-to-day lives of these soldiers. lives that are filled with nail-biting tension, brutal violence and bleak, gallows humour. something that bothered me about the world-building in this one (although it was present in the previous books as well it wasn’t focused on nearly as much) was the role of women in the military. it was noted at one point that about half the malazan army was made up of women but this was never really explored. while large numbers of female warriors might make sense for the tiste andii (immortal demon-sorcerors) or the t’lan imass (undead warriors who don’t want to eat your brains) it seems extremely strange given the technological and cultural similarities between the human civilisations in this world and in real life. throughout most of human history, almost every culture has imposed a lot of barriers preventing women from becoming warriors. the fact that this has been glossed over so perfunctorily in this book both undermines the world-building and ignores a really interesting dynamic that could have been explored some more (although we do see a bit of it with the capan women being recruited by the grey swords). while erikson had seemingly the perfect opportunity to explore this issue with picker’s povs i was also somewhat glad he didn’t try to overburden those sections (which were some of my favourites in this book) dealing with such a complex issue. i loved picker’s parts because it gave the reader an insight into how a ‘grunt’ views great events. unlike almost every other character erikson writes, picker was not a ridiculously op demi-god, instead she was just a tough, smart, experienced soldier. i really liked this contrast and her sections really helped to ground the story and keep things in perspective.

the massive cast of characters in this one was a great mix of new faces and old favourites from gotm. there stories weave together brilliantly and (with the possible exception of the mhybe’s) they were all compelling and well-paced throughout. whiskeyjack’s storyline provided some of the most profound shock and tragedy in this book while also providing some of the most uplifting moments. his affection for the people under his command, his friendship with rake and his relationship with korlat were all touching, and provided some great moments. while i didn’t much like him in gotm i thought paran was much better-written in this one. his struggles to earn the respect of the bridgeburners and to understand his role in the ongoing magical meta-conflict were really compelling. itkovian was a new character in this one and he proved an integral and compelling part of the story. along with his fellow grey swords he provided some of this book’s most interesting world building (especially about the complex relationship between gods and their followers) and most sweeping tragedy (view spoiler)[ the last stand of the mortal sword and itkovian’s sacrifice at the end... tears. (hide spoiler)] april 3, diplomat hood is returning from britanny after maximizing relations. Combine parboiled mixed sprouts, boondi soaked for 10 minutes and 925 drained, mashed potatoes, coriander-cumin seeds dhania-jeera powder, chilli powder and black salt sanchal. Play drag racing and put together the sleekest and fastest racing vehicle the streets will ever see. The wire did not 925 turn red, but was quite hot enough to make a nice cut through 6 inch foam blocks.

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